Why I Stay, Northing Space (Bergen)

I am the second of four artists exhibiting as part of the series Why I Stay at Northing Space in Bergen. My exhibition period opens on Monday 7th September 19:00. You can read more about the event on Facebook.

Why I Stay is an exhibition series with 4 exhibitors who are all with an East Asian ethnic background and working in different creative fields in Norway. Northing Space is offering them a unique platform to demonstrate their creative abilities and eagerness to make contributions to the cultural development in the society they are living in. We will also explore the question together with them: how would native cultures cultivate and contribute to professional life in a foreign/multi-cultural context.

Northing Space and its program is supported by Kulturrådet, Bergen Kommune and Stiftelsen Fritt Ord.

Poster illustration: Ruoyao Wu. Design: Yilei Wang.

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FETT - planTRYKK

18.01 - 15.03.2020, Hå Gamle Prestegård, Stavanger

Åse Anda, Ingebjørg Une Hagen, Cathrine Alice Liberg, Line Prip, Bjørn Ransve, Zdenka Rusova og Erik Solheim

Hå gamle prestegard har siden 2018 presentert en serie utstillinger med tema rundt de ulike grafiske teknikkene. FETT – planTRYKK er den tredje i serien og viser fram arbeider innen litografi og monotypi av sju norske kunstnere.

http://www.hagamleprestegard.no/

Cathrine Alice Liberg (Photo: Line Prip)

Cathrine Alice Liberg (Photo: Line Prip)

Ingebjørg Une Hagen (left), Line Prip (centre), Erik Solheim (right). (Photo: Line Prip)

Ingebjørg Une Hagen (left), Line Prip (centre), Erik Solheim (right). (Photo: Line Prip)

State of the Art Student Prize 2019

I am thrilled that my MFA project “Imaginary Photographs of my Great-Grandmother” has been awarded joint second place in Printmaking Today’s “State of the Art” student printmaking prize for 2019 graduates. Congratulations to fellow prize recipients Claire Curtin (Glasgow School of Art) and Gemma Thompson (Royal Drawing School)! You can read more about the winning projects in the Winter Issue of Printmaking Today.

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